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  • Interpretations of the Electronic Landscape: Conversation with Toni Dove
    Jennings, Pamela. Interpretations of the Electronic Landscape: Conversation with Toni Dove FELIX: Journal of Media Arts and Communication 2, no. 1 (1995): 266-277.
  • Driessens & Verstappen
    The Amsterdam based artist couple Erwin Driessens (1963 Wessem) and Maria Verstappen (1964 Someren) have worked together since 1990. After their study at the Maastricht Academy of Fine Arts and the Rijksacademy Amsterdam, they jointly developed a
  • Ephémère: Landscape, Earth, Body, and Time in Immersive Virtual Space
    Davies, Char. Ephémère: Landscape, Earth, Body, and Time in Immersive Virtual Space In Reframing Consciousness, edited by Roy Ascott, 196-201. Portland: Exeter, 1998.
  • Landscape of Feeling, Arenas of Action: Information Visualization as Art Practice
    Corby, Tom. Landscape of Feeling, Arenas of Action: Information Visualization as Art Practice Leonardo 41, no. 5 (October 2008): 460-467.
  • Portable Landscape
    Ebner, Jorn. Portable Landscape. Berlin: The Greenbox, 2005.
  • The Landscape of Being,
    Kisseleva Olga. The Landscape of Being,. Yorkshire, UK: Dr Graham Martin, AGENCY – Art, Life and Society, 2012.
  • Nacho Frades
    In my work I want to describe worlds that only exists in my mind, I want to explore this worlds created by the inner mind, they are mainly landscapes of lonely places, where I am the only person in the work, the person that sees them, the observer.
  • Marcelina Wellmer
    Marcelina Wellmer graduated from the Academy of Fine Arts in Poznan/Poland in 2000 with a degree in video and drawing. She is a conceptual artist and photographer based in Berlin. As a media artist, she has been working with video, photography,
  • Dubious Views online exhibition
    Kasprzak, Michelle. Dubious Views online exhibition Spacing Toronto: Understanding the Urban Landscape Magazine June 8, 2007 (June 2007).
  • On Location: landscape cinema and digital memory
    Parker, Kayla and Stuart Moore. On Location: landscape cinema and digital memory AVANCA | CINEMA 2017 (July 2017): 251-255.
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