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Strange Culture 2007 - 2007

Interview at AFi Fest LA.
Strange Attractors: A History of Video Production and Presentation in Ottawa 2000

Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.
Reiner Strasser

Reiner Strasser is an artist of traditional and digital arts. He studied art, art history and philosophy at the University of Mainz, Germany. His Web works, international collaborations, and Web art projects date from 1996. Strasser's Web work has
Thomas Hobbes: Visuelle Strategien 2002

Bredekamp, Horst. Thomas Hobbes: Visuelle Strategien. Berlin: Akademie Verlag GmbH, 2002.
Interactive Strategies in Virtual Architecture and Art. In: Intelligent Environments. Ed. Peter Droege. Amsterdam: Elsevier, pp. 632-640. 1997

Strauss, Wolfgang and Monika Fleischmann. Interactive Strategies in Virtual Architecture and Art. In: Intelligent Environments. Ed. Peter Droege. Amsterdam: Elsevier, pp. 632-640. In Intelligent Environments, edited by Peter Droege, 632-640.
BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production 2007

Willet, Jennifer. BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production [16.07.2014].
Strategies of Interactive Art 2010

Kluszczyński, Ryszard W.. Strategies of Interactive Art Journal of Aesthetics & Culture 2 (2010): 1-27.
Political Strategies in Polish Popular Cinema 1993

Kluszczyński, Ryszard W.. Political Strategies in Polish Popular Cinema In Z problemów poetyki filmu, edited by Mirosława Zalska-Kaca, 131-132. Łódź: Wyd. Uniw. Łódzkiego, 1993.
Collecting Intangibles: Marketing Strategies for Net Art Works 2013

Waelder, Pau. Collecting Intangibles: Marketing Strategies for Net Art Works artnodes , no. 13 (2013): 111-116.
Hyperbodies, Hyperknowledge: Women in Games, Women in Cyberpunk, and Strategies of Resistance 2002

Flanagan, Mary. Hyperbodies, Hyperknowledge: Women in Games, Women in Cyberpunk, and Strategies of Resistance In Reload: Rethinking Women + Cyberculture, edited by Mary Flanagan and Austin Booth, 444-447. Boston, MA: The MIT Press, 2002.

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