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  • Uršula Berlot: Introspekcija/Introspection
    Bašin, Miloš. Uršula Berlot: Introspekcija/Introspection Bežigrajska Gallery 2, 1st. – 29th of September 2010. Ljubljana: Museum and Galleries of Ljubljana
  • Preseženi slikovni okvir: slike/Beyond the Frame: Paintings, 1962-2004, Bežigrajska Gallery 2, Ljubljana, 17th of November 2004 – 12th of January 2005
    Bašin, Miloš (ed.). Preseženi slikovni okvir: slike/Beyond the Frame: Paintings, 1962-2004, Bežigrajska Gallery 2, Ljubljana, 17th of November 2004 – 12th of January 2005 (2004).
  • Between Public and Private Space: The Art of Sanja Iveković
    Kluszczyński, Ryszard W.. Between Public and Private Space: The Art of Sanja Iveković In Sanja Iveković: Is This My True Face, edited by Tihomir Milovac, 5-15. Zagreb: Museum of Contemporary Art, 1998.
  • Mímesis -
    Virtual Reality Installation. Partially funded by an art grant of the Phonos Foundation, Barcelona, Spain. Developed at the Pompeu Fabra University, IUA, Barcelona, Spain.
  • Mimesis, grundlos
    Bredekamp, Horst. Mimesis, grundlos Kunstforum International 114 (1991): 278-288.
  • Minimal difference and modern mimesis
    Berlot, Uršula. Minimal difference and modern mimesis Likovne besede/Art Words. Ljubljana: ZDSLU 103 (2016).
  • Duchamp and Mimesis
    Berlot, Uršula. Duchamp and Mimesis Ljubljana: Research Institute of the Academy of Fine Arts and Design, University of Ljubljana (2011).
  • Biotica -
    An immersive journey into a world of artificial-life creatures. Viewers use their arms to fly and navigate in a virtual 3D world of evolving, swimming and pulsing a-life creatures. (source: www.mimetics.com)
  • Pandaemonium -
    Digital video 4 mins 38 secs colour, stereo sound by Ernst Oosterveld Inspired by Milton's "Paradise Lost". The video explores images and evocations of how the human race has reshaped its environment, often to its and the world's detriment
  • Preface: “L’artiste, la fusion critique et le neuro-mimétisme urbain”
    Benayoun, M.. Preface: “L’artiste, la fusion critique et le neuro-mimétisme urbain” Chronotopies, Lecture et écriture des mondes en mouvement (2017).
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