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... way we live our work life, thoroughly planned and with the greatest possible efficiency in mind. “Forced Leisure” offers a safe space, a leisure cocoon for doing nothing. The interactive installation plays with the imperative “Relax NOW!” A person who does not want...

...imedia performance to engage ‘the body’s primordial inscriptions’. It locates Beckett’s society of ‘lost ones’ in a virtual space that represents a severe state of physical confinement, evoking perhaps a prison, an asylum, a detention camp, or even a ‘reality’ TV...

... databases made of pictures of pre-existing culture (paintings, photos, sculptures, video, films, photos etc.). The physical space becomes a semantic space, and the physical distance between cities and players et symbolic, cultural distance. The Digging...

... In A Network Of Tangled-Up / Porous Graduation-System / Every Fragment / Lighted Up +- 5 Grade-Centigrade / Lights Options / Space Sterilized / In Ethylene Oxide Chambers/ Immediate Stiffness / From Now On / Bodies Are Checked/ Corruption Centers / The Need...

... to music was not going to serve me well. As far as I know, the gallery will not be blasting The Knife throughout the space. I switched off the music and started making beep boop blah blah blah noises into the microphone but this got old, fast. I...

... was superimposed on the artist Fabienne de Quasa Riera, who was swinging on a real swing in the centre of the performance space. Two slide projectors were sandwiched into the swing seat facing opposite directions. Each projected an image of the performer...

... cross through us, and of which we are, most of the time, completely unaware. A programme analyses the flux running through a space, and transforms the data into visual information which generates a new kind of abstract landscape. Landstream makes us aware of...

...ere” in Latin, as used to indicate that the speaker is present (equivalent to the exclamation "here!" in a roll call). To create this space poem, I developed a new typeface in which the letter “N” takes the form of an hourglass and the letter “S” has the shape of the...

... part of a series of works in which I investigate the relationships between human notations and codes and our experience of space-time, seeking to change the ways we understand it; in this case, visitors immerse themselves in a spatial experience of time...