Archive Search

When a visitor steps on one of the 32 sensors on the floor, a screen in front of her shows one of four little digital worlds, that are partly controllable by the viewer. Hypothetical creatures, autonomous and life-like, live in these worlds.

A sculptural homage to the helicopter attack scene from the film Apocalypse Now! Duplicate robots dangle from a metal frame, with arrays of black rods joining each of the eight Fedora hats to these machines. The Squadron is in flight formation and

AutoGene initially entices viewers with a sense of familiarity, appearing as a simple commodity sculpture. However, this impression is rapidly dispelled - with the push of a button. The circular arrangement of the sculpture, paired with the dramatic

"Arabesque" is a kinetic artwork with roots in Mary Shelley's Frankenstein and the Alchemist's Laboratory. A composition of life-sized cast human body parts (incidentally casts of my own body). These translucent entities impaled upon their internal

Inspired by the "Industrial Revolution" and the subsequent changes in human development brought about by that revolution. A path that has and will lead humanity to both heaven and hell. I wanted to try to capture the paradox of this duality by

Peter Weibel is considered to be one of the poineers of interactive, computerbased...

... 1991. -Levin, T., Ursula Frohne & Peter Weibel, eds. “CTRL [SPACE]:...

Do you know that feeling when you've taken LSD and, while observing a nondescript object, a jolt suddenly hits you? You notice an incredible wealth of details! Something you thought was mundane is actually incredibly beautiful, filled with textures

Composed of glossy white wooden discs and sculptural structures which hold mechanical manipulators that pierce classic black and white tap shoes with ornamental brogue patterns. Each structure holds a shoe inches in the air above a small circular