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Interactive Plant Growing 1993

...Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing ICC InterCommunication Journal , no. 6 (October 1993).
Agnes Hegedüs, Interactive works 1995

...Schwarz, Hans Peter, ed. Agnes Hegedüs, Interactive works. Karlsruhe: ZKM, 1995.
George Legrady: Interactive Media Art 1995

...Rovaniemi Art Museum, ed. George Legrady: Interactive Media Art. Rovaniemi: 1995. Rovaniemi Art Museum, ed. George Legrady: Interactive Media Art. Rovaniemi: 1995.
From A to D and Back Again: The Emerging Aesthetics of Interactive Art 1996

...Penny, Simon. From A to D and Back Again: The Emerging Aesthetics of Interactive Art Leonardo Electronic Almanac 4, no. 4 (April 1996). on. From A to D and Back Again: The Emerging Aesthetics of Interactive Art Leonardo Electronic Almanac 4, no. 4 (April 1996).
Interactive Video Kaleidoscope 1987 - 1987

... Massachusetts Institute of Technology, and the SIGGRAPH 1988 Art Show in Atlanta.
Utopie et création interactive 2000

...Event: Utopie et création interactiveInstitution: Utopi@Comment:
Les mutations de l'écriture interactive 1996

...Event: Les mutations de l'écriture interactiveInstitution: Conservatoire européen d'écriture audiovisuelleComment:
Interactive Plant Growing and A-Volve 1995

...Sommerer, Christa and Laurent Mignonneau. Interactive Plant Growing and A-Volve In The Interaction ´95, edited by Itsuo SakaneGifu: IAMAS...
The Context is the Message: Interactive Art as a Medium of Communication 1997

...Kluszczyński, Ryszard W.. The Context is the Message: Interactive Art as a Medium of Communication In ISEA 96 Proceedings: Seventh International... Kluszczyński, Ryszard W.. The Context is the Message: Interactive Art as a Medium of Communication In ISEA 96 Proceedings: Seventh International...
Portrait on the Fly – Interactive Installation 2015 - 2015 video

...Portrait on the Fly an interactive installation © 2015, Laurent MIGNONNEAU & Christa SOMMERER represented by: DAM Galerie Berlin, Galerie... the face, but even the slightest movement of the head or of parts of the face drives them off. The portraits are thus in constant...

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