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... on viewer interaction they dance various passages from the Tango, change direction and also change gender roles. (source: http://hosted.simonbiggs.easynet.co.uk/installations/waiting/waiting.htm)

... boat. The ‘winner’ will ironically be the competitor who has his opponent’s boat first over the finish line. (source: http://marnixdenijs.nl)

... hear a hypnotic induction. If the viewer did not enter, the piece retained an idea of a psychological barrier. (source: http://www.grahamnicholls.com/)

... texts using generative grammars, based on the textual works of William Blake, are visible on each screen. (source: http://hosted.simonbiggs.easynet.co.uk/installations/halo/halo.htm)

... on with this piece, yet on the other hand the penalty, a national felony, is forcing us to be very cautious. (source: http://www.aec.at/en/archives/prix_archive/prix_projekt.asp?iProjectID=2496#)

... not do harm. Responsible use of appropriation is the position advocated in the piece "je suis (un readymade)". (source:http://www.aec.at/de/archives/prix_archive/prix_projekt.asp?iProjectID=10764)

... layering techniques, the figures are able to merge with one another, creating further beings of arbitrary gender. (source: http://www.littlepig.org.uk/)

... and nonpercussive instruments Saskia von Klitzing, dr. Volker Kamp, b. David Link, text generators (source: http://alpha60.de)

... constructed in two spaces beyond the screen. The work focused on the subjective nature of language and perception. (source: http://www.grahamnicholls.com/)

... passed form one system to another. The combinations often created impressions that seemd beyond coincidence. (source: http://www.grahamnicholls.com/)