Archive Search

...Janet Cardiff's “Feedback” (2004) is an interactive sound piece that plays a Jimi Hendrix rendition of “The Star Spangled Banner” when the visitor steps on a wah-wah pedal. “Feedback” is a gift in honor of Rifkin by Tom and Kitty Stoner and Audrey and Ken Weil and...

... out new developing technologies that may come about and be developed as a result of direct audience / visitor / participant feedback.

... instant gratification. Guests produce content by indirectly answering the question "who am I?" and they get new friends and feedback in the process. In f act, Facebook’s subliminal mantra seems then to be "be personal, be popular, never stop." It has even ...

... the sound. There are specific vegetal languages through sonorous compositions. They signify characters, behaviors having a feedback, an influence on the reaction, on the feeling and on the approach of the spectator. Our body continually produces an...

... of the performer as well as in the medial staging of the input from Internet participants. They receive the audio-visual feedback of the performance on-site, as well as the visual feedback of each other's actions. They are not only related to the...

... However, in my piece, viewers enter the space to find that their gaze is returned by the artwork. The proposed interactive feedback loop establishes a relationship between artwork and viewer that is specific to new electronic media, modifying what W.T.J....

... the individual data readings and associated emotional responses within a framework of binary outcomes. This is key for a real-time feedback – a biofeedback – between the virtual generative processes and the brain’s associated response. The calibrated communication...

... the individual data readings and associated emotional responses within a framework of binary outcomes. This is key for a real-time feedback – a biofeedback – between the virtual generative processes and the brain’s associated response. The calibrated communication...

... their own imaginary world combined with the outer space created by the sound and video projection. There is a continuous feedback between the dancers and the media; the translation of emotional physiological parameters to sound and video, however, gives...