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  • ... not the aim of our work, neither the transfer of the two-dimensionality of the sketches, designs and drawings into the third dimension, but rather the enticement of the viewer into a "dream world" of utopian ideas and their simulation. Thus in n o w h e r e...
  • ... Fixing on a detail adds more opacity and, therefore, also presence. Zooming in on an object means changing its relative dimension on the retina. The architecture of the memory defines itself progressively as a unified, changing space where the...
  • ... what one has stricken from one's memory. Here, the viewer/tourist contributes to an amplification of the tragic dimension of the drama. Without him, this world is forsaken, left to its pain. He jostles this pain awake, exposes it. Through the...
  • T-wo.gen
    ... five etc. It is not a multiple derived from the one, or to which one is added (n+1). It is comprised not of units but of dimensions, or rather directions in motion. It has neither beginning nor end, but always a middle (milieu) from which it grows and...
  • .. making visible that which is not before our eyes, that which is not directly evident nor exposed to the view ..
  • ... that they must be interpreted and reconstructed in the process of apprehension, but digital interactivity offers a new direct dimension of user control and involvement in the creative proceedings. The traditional cinemaës compulsive spectacle-spectacle...
  • ... Acevedo’s visual music explores the implications of synesthesia through computer animated geometry.
  • Eduardo Kac, pioneer of multiple art genres like Telematic Art, Transgenic Art and Bio Art, guides us through 40 years of radical changes in the body-technology relationship, offering different approaches on how to reflect the boundaries of human
  • ... is telecommunications. This is like talking on thephone, but with images. To me, telepresence is the addition of a physicaldimension to telecommunications, which telecommunications before 1986could not do. I did it — in the context of art. So, to me,...
  • kondition pluriel is an interdisciplinary digital performance group based in Montreal and Vienna, formed by Marie-Claude Poulin and Martin Kusch. Since its beginnings in 2000, the collective has focused on exploring the performative possibilities of