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  • A web site, on the theme of viral infection, exploring issues around HIV/AIDS through contributions in both text and image from web users/artists and through associated workshops and events. (http://www.sof.org.uk/artists/martin3.htm)
  • mediaFlow -
    mediaFlow is the first project to interlink the multiple Tangible Bits platforms. mediaFlow uses Triangles to route the flow information such as activity on the transBOARD, metaDESK, or online sources to destinations like Ambient Fixtures, the
  • The Distorted Barbie -
    "The distorted Barbie" is a web-art installation that displayed digitally altered images of Barbie dolls in order to comment on Barbie as a cultural/commercial symbol and pop-icon. He published his original Distorted Barbie both on his own site at
  • Animal Locomotion -
    In Animal Locomotion (1996-2000), which began with drawings made from Muybridge's photographs of figures in motion, the viewer interactively changes the configuration of the site through interactive image manipulation. The server keeps track of the
  • Tele-touch
    Tele-Touch explores the notion of human touch and telepresence in a computer networked environment. It consists of a jacket equipped with wireless touch output devices that allow the person wearing the jacket to be touched by visitors to the
  • Autobiography -
    "Autobiography" consisted of three light boxes and two computer stations. One computer displayed a Web site, which was created for "Autobiography". The other displayed the same material as the Web site, but provided a different way into these
  • Sommerer, Christa and Laurent Mignonneau. Kunst als Lebendiges System In Softlife-Heise Online, München: Heise Verlag, 1996.
  • Lozano-Hemmer, Rafael. Floating Trout Space, Interview with Lawrence Paul Yuxweluptun Telepolis, Heise online (July 1996).
  • Lozano-Hemmer, Rafael and Susie Ramsay. Spain Wide Web Telepolis, Heise online (April 1996).
  • In 1996, the festival was still held in September, unlike later, when it was traditionally held in spring. This year, the film programme was put together in cooperation with the Swiss Film, Video and Multimedia Festival VIPER. It presented