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  • Packet Garden -
    Packet Garden captures information about how you use the internet and uses this stored information to grow a private world you can later explore. To do this, Packet Garden takes note of all the servers you visit, their geographical location and
  • "This project proposes an alternative financial model based on the Peer-to-Peer architecture for a more equal sharing of wealth in society. It offers an innovative participatory system using counterfeit virtual money. By issuing a visionary and
  • ... Workplace Gender Communities and Strife Practical Steps for Social Justice Multiple...
  • bottlogues -
    ... for thousands of years, serving both practical and aesthetic functions. The "bottles"...
  • The Unframed World -
    In Virtual Reality the viewer overcomes the limited surface of a computer screen. Instead of looking through a window, the viewer exits real surroundings to become part of another world. The Unframed World is the first comprehensive presentation of
  • The Potential Thief -
    New performance installation exploring the relationship between the individual and cinematic image. Performers and audience members negotiate one another’s movements as they copy excerpts from films. Three audience members are asked to join each
  • ... production focus on the theoretical and practical dimensions of human-technology...
  • Heroes are hard to find. The few, who are considered to be worth remembering, are placed somewhere, soon to be forgotten. In the obscurity of arterial roads and shaggy groves characters of bronze or stone wait to be recognised. Maybe they freeze in
  • The Art Collider -
    Artistic Statement The proliferation of networks and communication systems fosters the free circulation and the diversification of exchanges, which create a redistribution of values, as opposed to those in economics which are merely transactions.
  • INsideOUT -
    This performance is about the materialization of the performer’s thoughts and feelings on the stage. In the performance, imagination becomes spatial. The stage is a place for the appearance of the invisible. Yasu Ohashi says: “the actors aim at our