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Strange Culture
2007
-
2007
Interview at AFi Fest LA.
Strange Attractors: A History of Video Production and Presentation in Ottawa
2000
Fortin, Sylvie and Sue Ditta, ed. Strange Attractors: A History of Video Production and Presentation in Ottawa. : 2000.
Reiner Strasser
Reiner Strasser is an artist of traditional and digital arts. He studied art, art history and philosophy at the University of Mainz, Germany. His Web works, international collaborations, and Web art projects date from 1996. Strasser's Web work has
Thomas Hobbes: Visuelle Strategien
2002
Bredekamp, Horst. Thomas Hobbes: Visuelle Strategien. Berlin: Akademie Verlag GmbH, 2002.
BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production
2007
Willet, Jennifer. BIOTEKNICA: Teratogenic Strategies for Critical BioArt Production [16.07.2014].
Strategies of Interactive Art
2010
Kluszczyński, Ryszard W.. Strategies of Interactive Art Journal of Aesthetics & Culture 2 (2010): 1-27.
Interactive Strategies in Virtual Architecture and Art. In: Intelligent Environments. Ed. Peter Droege. Amsterdam: Elsevier, pp. 632-640.
1997
Strauss, Wolfgang and Monika Fleischmann. Interactive Strategies in Virtual Architecture and Art. In: Intelligent Environments. Ed. Peter Droege. Amsterdam: Elsevier, pp. 632-640. In Intelligent Environments, edited by Peter Droege, 632-640.
Hyperbodies, Hyperknowledge: Women in Games, Women in Cyberpunk, and Strategies of Resistance
2002
Flanagan, Mary. Hyperbodies, Hyperknowledge: Women in Games, Women in Cyberpunk, and Strategies of Resistance In Reload: Rethinking Women + Cyberculture, edited by Mary Flanagan and Austin Booth, 444-447. Boston, MA: The MIT Press, 2002.
Political Strategies in Polish Popular Cinema
1993
Kluszczyński, Ryszard W.. Political Strategies in Polish Popular Cinema In Z problemów poetyki filmu, edited by Mirosława Zalska-Kaca, 131-132. Łódź: Wyd. Uniw. Łódzkiego, 1993.
Collecting Intangibles: Marketing Strategies for Net Art Works
2013
Waelder, Pau. Collecting Intangibles: Marketing Strategies for Net Art Works artnodes , no. 13 (2013): 111-116.
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