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Conspire (transmediale pacours 1) 2008

Kovats Stephen and Cramer Florian and Petresin Natasa and Vincent Cédric and Kunst Bojana and Holmes Brian. Conspire (transmediale pacours 1). Frankfurt am Main, Germany: Revolver_Archiv für actuelle Kunst, 2008.
An affective model of user experience for interactive art 2008

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. An affective model of user experience for interactive art International Conference on Advances in Computer Entertainment Technologies (2008).
PAD–based Multimodal affective fusion 2009

Benayoun, M. and Stephen W. Gilroy and Marc Cavazza. PAD–based Multimodal affective fusion Affective Computing and Intelligent Interaction (2009).
Four Steps to Rome (EP) 2006 - 2006

Four Steps to Rome (EP)Artist: German GomezComment:
Self-Portrait - 2005 2005 - 2017 video

Marcello Mercado Self-portrait 2005 Documentation of on-line performance/ Biographie 16:9, 7min. 17", Farbe, stereo, 2005
CAPITAL -> Case: Files deleted 1999 - 2017 video

Marcello Mercado CAPITAL -> Case: Files deleted (Das Kapital -> Fall Dateien gelöscht), 1-channel video installation, 03 min. 05 sec., stereo 4:3 colour, 1999 http://vimeo.com/73331069
Stereo and Immersive Media 2015 - 2015

Keynote held at the National Archive of Torre do Tombo
3D-Beyond the Stereography 1996 - 1996

Event: 3D-Beyond the StereographyInstitution: Tokyo Metropolitan Museum of PhotographyComment:
Stereopsia . Lumiere Award 2018 2018 - 2018

Event: Stereopsia . Lumiere Award 2018Institution: BOZAR CENTRE FOR FINE ARTS Comment:
Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz 2006

Grau, Oliver. Kunst als Inspiration medialer Evolution. Überwindungsversionen der Kinoleinwand vom Stereopticon zur Telepräsenz In Das bewegte Bild: Film und Kunst, edited by Thomas Hensel and Klaus Krüger and Tanja Michalsky, 419 - 448. München:

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