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  • schème video
    Two dancers/performers interact with an audio-visual environment. Their movement data control cameras, microphones, and architectural projections of 3D representations of each performance venue. Four scenes, made up of choreography and media, play
  • DEAF 04: Affective Turbulence -
    Theme: affective turbulence, the art of open systems. DEAF, the Dutch Electronic Art Festival, is a biennial international and interdisciplinary festival organized by V2_ in Rotterdam (NL) which showcases crossovers between art, technology and
  • Laboral. feedforward the angel of history -
    FEEDFORWARD – The Angel of History addresses the current moment in history where the wreckage of political conflict and economic inequality is piling up, while globalized forces—largely enabled by the “progress” of digital information
  • Google Art or How to Hack Google, Rhizome and New Museum
    n an information-based age, the ability to search and organize information amounts to power. Search engines shape knowledge, modulate web traffic, and contribute to the creation of new semantics and meanings. Currently, Google's influence is
  • entre-deux video
    Performers tele-dialogue from two distinct places with a single spectator at a time, whose shadows become the theater of the work. Each performance is unique and constitutes a singular experience for the visitor, who is no longer only a passive
  • cast01 // Living in Mixed Realities -
    Living in Mixed Realities What does it mean to live, play and work in a world shaped and perceived through digital media, networks and architectures of real and virtual space? How can the development of complex communication spaces, life
  • transmediale.11: response:ability
    In our post-future era of acceleration and densification of information, the state and nature of being live and online becomes one of the crucial definers of our social presence. Response and action are compressed into an existential here and now
  • Myriorama video
    Geolocative performance simultaneously staged in the street and in the theater. The public sits in a tent, on which text messages of an urban passer-by / actor are manipulated by movements of a dancer outside the tent. Surveillance technologies, GPS
  • the puppet(s) video
    Two dancers, a visual artist and a sound artist, perform live. Performing bodies as an interface between the spectators and the media environment. By manipulating the sensors, spectators can modify certain parameters of the media environment.
  • inSite 2000 -
    inSITE 2000 beteiligte künstlerInnen: Carlos Amorales, Gustavo Artigas, Judith Barry, Jordan Crandall, Arturo Cuenca, Roman de Salvo, Dias & Riedweg, Mark Dion, Silvia Gruner, Diego Gutiérrez, Jonathan Hernandez, Norma Iglesias & Rita Gonzales,
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