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  • ...Domingues, Diana. The Desert of Passions and the Technological Soul In Digital Creativity, edited by Colin Beardon and Lone Malmborg and Masoud YazdaniVol.9. , 11-18. : Swets and Zeitlinger Publishers, 1998.
  • ...Strauss, Wolfgang and Monika Fleischmann. The Art of the Thinking Space In Digital Creativity, edited by Anthony BrooksVol.31:3. DOI: 10.1080/14626268.2020.1782945, , 156-170. London: Routledge, 2020.
  • ... S-100 bus system employing asynchronous 8MHz/11MHz 8080/8088 (8 bit/16 bit) CPU's and Matrox video cards with home-developed digital to analogue video converters recording realtime directly to Broadcast Video UMatic. (source: http://www.littlepig.org.uk/)
  • Sensetable -
    ... tracks the positions of multiple objects on a flat display surface quickly and accurately. The tracked objects have a digital state, which can be controlled by physically modifying them using dials or tokens. We have developed several new interaction...
  • ... explores theories and designs for online public space and public discussion. He is Associate Professor of Film and Digital Media; affiliated faculty with the Computer Science Department; affiliated faculty with the History of Art and Visual Culture...
  • ... are transmitted to another location (e.g. a museum) via the telephone line. These data are then processed in a PC in which a digital city map is stored. Lastly, a video beam makes the situation visible on a projection screen. (M. Bielicky)
  • ...In contemporary times we may ask: is the search for self-knowledge extended and amplified through the medium of digital media? Or, do we find ourselves in a crisis - like that of Narcissus’ confusion or the loss of the soul - in which we can no longer make the...
  • ...Huhtamo, Erkki. Digitalian Treasures, or Glimpses of Art on the CD-ROM Frontier In Clicking In: Hot Links to a Digital Culture, edited by Lynn Hershman Leeson, 306-317. Seattle: Bay Press, 1996.
  • ... to art & technology and finished her BFA in 2002. From there she began a PhD at the University of Washington’s Center for Digital Arts and Experimental Media (DXARTS). After completing her general exam she took leave from the program at UW and moved to...
  • Metalogue -
    ...Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1987 Metalogue was titled after interdisciplinary anthropologist Gregory Bateson's...