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Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre 2017

Pearlman, Ellen. Brain Opera – Exploring Surveillance in 360-degree Immersive Theatre PAJ (Performance Arts Journal), MIT Press (May 2017).
The Brain As Site Specific Surveillant Performative Space 2015

Pearlman, Ellen. The Brain As Site Specific Surveillant Performative Space International Journal of Performance Arts and Digitial Media 11,Issue 2 (November 2015).
I Cyborg 2015

Pearlman,Ellen. I Cyborg MIT Press,PAJ (Performance Arts Journal) 37, no. 2 (May 2015): 84-90.
New Media Futures. The Rise of Women in the Digital Arts 2018

Cox, Donna J. and Ellen Sandor and Janine Fron. New Media Futures. The Rise of Women in the Digital Arts. Urbana, Champaign: University of Illinois Press, 2018.
Immersive Virtual, Mixed, or Augmented Reality Art 2010

Benayoun, M. and Maria Roussou. Immersive Virtual, Mixed, or Augmented Reality Art The International Journal of Arts and Technology (2010).
Poetike/Poetics 2008

Pregl Kobe, Tatjana. Poetike/Poetics Slovenj Gradec: Koroška galerija likovnih umetnosti/Koroška Gallery of Fine Arts (2008).
6ème Salon international d’arts plastiques Valognes, Valognes/Charon 2001

.. 6ème Salon international d’arts plastiques Valognes, Valognes/Charon . (2001).
Diplômes 2000: sincères félicitations. Paris: Ecole nationale supérieure des Beaux-Arts de Paris 2001

.. Diplômes 2000: sincères félicitations. Paris: Ecole nationale supérieure des Beaux-Arts de Paris . (2001).
Uršula Berlot: Nature, Galerie de Cité internationale des arts, 8. 9. – 18. 9. 1999 1999

Omladič, Luka. Uršula Berlot: Nature, Galerie de Cité internationale des arts, 8. 9. – 18. 9. 1999 Paris (1999).
Camera Lucida, exhibition at Gallery Škuc, SCCA, Center for Contemporary Arts – World of Art 2002 2002

.. Camera Lucida, exhibition at Gallery Škuc, SCCA, Center for Contemporary Arts – World of Art 2002 . (2002).

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