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Giannachi, Gabriella and Nigel Stewart, ed. Performing nature. Explorations in ecology and the arts. Oxford/Bern: Peter Lang, 2005.

Atkan, Nancy. Digital Art in Cuba: Increasing enthusiasm for Digital Art New York Arts Review 2, no. 7 (July 2002).

Borda, Sylvia Grace and Jordan Strom and Liz Wells and Rebecca Travis and Dorothy Barenscott. Shifting Perspectives: Sylvia Grace Borda. Vol.ISBN: 978-1-77203-329-8.

Nideffer, Robert and Margot Lovejoy and Christiane Paul and Victoria Vesna. Context Providers: Conditions of Meaning in Media Arts. University of Chicago: University of Chicago, 2011.

casares, nilo, ed. TrashMedia. Vol.1. 1ª th ed.valencia: Consorci de Museus de la Comunitat Valenciana; Direcció General de Promoció Cultural, Museus i Belles Arts de la Generalitat Valenciana; S AA Purgatori y RedArte, 1998.

Biggs, Michael and Henrik Karlsson, ed. The Routledge Companion to Research in the Arts. The Routledge Companions, 2011 th ed.London, UK: Routledge, 2011.

Papagiannouli, Christina. Cyberformance and the Cyberstage International Journal of the Arts in Society 6, no. 4 (2011).

Buonaiuto, Francesco and Helen Varley Jamieson and Vicki Smith. The Net and the Butterfly, by Francesco , Helen Varley Jamieson and Vicki Smith; International Journal of Performance Arts and Digital Media 10, no. 1 (2014).

Parker, Kayla and Stuart Moore. Father-land: troubled dialogues in a divided island Arts Institute Research Stories 2016/17 1 (January 2018): 17-18.

Pearlman,Ellen. 3D Opera PAJ (Performance Arts Journal),MIT Press (January 2018).