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BAROQUE MOMENTS ON FIRE
2020
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2020
BAROQUE MOMENTS ON FIREArtist: Anabela CostaComment:
SUSPENSIONS
2019
video 7.03 The video creates an entry into fictional reality, where objects are transformed into fleeting luminary apparitions – softened, multiplied, liquified forms levitating through warped or non-gravitational space.
FROM the BOWELS
2021
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2021
FROM the BOWELSArtist: Anabela CostaComment:
INVERSE SPACE
2017
video 4,24′ The video Inverse space works on two levels of microscopic observation: the first line of recordings shows the transformation of a non-living (inorganic) substance from one physical state to another – namely, the process of
OBSERVATORY: MAGNETIC FLUID
2014
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2016
Sound-kinetic diorama exterior: acrylic object in crystalloid like form; interior: relief (3D print), turntable, light, sounddim: 110 x 60 x 60 cm A miniature silver landscape in motion that can be viewed through the observation perforation in the
FIBERTRACT KALEIDOSCOPE
2012
Video projection, print on plexiglass dim: 100 x 138 cm (x 2) The kaleidoscopic video is based on radiological recordings of the author’s brain. The recording of neural connections (nerve tracts) shown by tractography (diffusion MRI) is
ANATOMICAL TRANSFIGURATIONS
2012
X-ray films, series (4) dim: no. 1: 155 x 116 cm, no. 2: 155 x 124 cm, no. 3: 145 x 124 cm, no. 4: 145 x 116 cm The installation Anatomical Transfigurations explores the effects of medical visualizations and mediation of the internal body upon the
FRACTAL
2012
Mirror glazing on glass (dim: 120 x 80 cm), light projection and reflection The light work Fractal is part of a series of works dealing with the idea of the ‘transparent body’. Formally the work is based on a radiological image of the brain, the use
PULSATION
2007
The video work Pulsation presents pulsating light phenomena, the bodily and the technologically generated hybrid as a luminous apparition composed by layering reflected light, video projections of radiological scans of the artist’s brain and related
Faces
1988
FacesArtist: Lillian F. SchwartzComment:
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