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  • Erlebnis-Raum in "Der Garten" und "Heufieber"
    Hinterwaldner, Inge. Erlebnis-Raum in "Der Garten" und "Heufieber" Soziale Systeme 18, no. 1/2 (2012): 323-345.
  • Medien und Realität: Landkarte und Land. Von der medialen Konstruktion der Wirklichkeit
    Weibel, Peter. Medien und Realität: Landkarte und Land. Von der medialen Konstruktion der Wirklichkeit In Festschrift für die Wirklichkeit, edited by Guido Zurstiege, 193-196. Wiesbaden, DE: VS Verlag für Sozialwissenschaften, 2000.
  • Der Computer als Medium und als Maschine
    Esposito, Elena. Der Computer als Medium und als Maschine Zeitschrift für Soziologie 22, no. 5 (Oktober 1993): 338-354.
  • Illusion und Virtualität: Kommunikative Veränderungen der Fiktion
    Esposito, Elena. Illusion und Virtualität: Kommunikative Veränderungen der Fiktion In Soziologie und künstliche Intelligenz: Produkte und Probleme einer Hochtechnologie, edited by Werner RammertFrankfurt/Main: Campus Verlag, 1995.
  • SP001
    http://www.leonelmoura.com/wp-content/uploads/2019/12/Swarm_Paintings.pdf
  • Last Entry: Bombay, 1st of July -
    "Last Entry: Bombay, 1st of July" is a collaborative documentary about a person, identity and gender unknown - a flaneur in the cultural space of the internet. Inspired by the novel "Orlando", written by Virginia Woolf in 1928, that reads like a
  • Zoran Poposki
    My work is transdisciplinary and explores cultural translation, liminality, identity, and public space through a number of media, combining digital art including AI art and NFT art with video art, painting, drawing, photography, printmaking,
  • utHOPEia
    Hope in fusion with Utopia is here in perspective, looking at St Virgil, which has become part of the every day (esthétique du quotidien). By fragmenting the space and recontextualising elements of the place, utHOPEia is "hoping" to have the
  • Psychic Space -
    Psychic SpaceArtist: Myron KruegerComment:
  • Migrations -
    A web of relationships through the displacement of the visitor's body in the room space, apprehending the moving figures of the tapes embedded in the columns and the frozen figures of frames from the video "migrações", which are gradually enlarged
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