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  • After Pey-Chwen Lin completed the “Making of Eve Clone I”, she created an interactive installation, the “Great Image of Eve Clone”, to further explore the relationship between humans and Eve Clone — the way a human gave life to Eve Clone is similar
  • Voyage -
    It takes at least ten years for an idea to go from first appearance in the laboratoy through translation into the consumer world. Voyage is an image signifying the acceleration of this ten year gestation. It is the symbolic description of the
  • Hand Held -
    Hand-held is an installation that consists of an apparently empty space which reveals its contents as you explore it with your hands. Today, we regularly use our hands to navigate virtual commercial, social, political and information spaces and
  • "My artistic practice is characterised by an in depth engagement with process, scientific methodologies and the nature of experiment. Here 'experiment' refers both to the act of acquiring knowledge and information through testing scenarios, and to
  • Birth of Eve Clone P -
    The Birth of Eve Clone P is a large-scale projection installation of three Eve Clone images. It shows Eve Clone being placed in a test tube. There, she is slowly cultivated, changing from a draft to a digital wireframe and finally a metallic
  • Daniele Gasparinetti. Alexander Hahn - La Signoria degli Astri/The Signiory of Stars, 36p./DVD, Italian. Ferrara/IT: Padiglione d‘Arte Contemporaneo, 2007.
  • Kac, Eduardo. Poesia Holográfica: as três dimensões do signo verbal In VII Salão Nacional de Artes Plásticas, edited by Funarte, 43-44. Museu de Arte Moderna do Rio de Janeiro: 1984.
  • Kac, Eduardo. Poesia Holográfica: as três dimensões do signo verbal In VII Salão Nacional de Artes Plásticas, edited by Funarte, 43-44. Museu de Arte Moderna do Rio de Janeiro: 1984.
  • Lucia Santaella and E MOTTA and DIANA MARIA G DOMINGUES and C. TURELLY. Arte do Corpo Biocibrido em sistemas enativos-afetivos In Dança sob o signo do Multiplo, edited by Lucia SANTAELLA and Everson MOTTA Vol.1. , 41-65. São Paulo: Estação das
  • Points of View was a 'theatre of signs' with both stage and protagonists being provided by a three-dimensional computer graphics simulation that was video projected onto a large screen in front of a seated audience. The action of the work was