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  • Kwangju Biennale 2004 -
    "The Gwangju Biennale 2004 is a cultural forum that experiments with established cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
  • European Media Art Festival 2010: Mash Up
    The range of images, films, music and texts on the internet is growing rapidly. All digitally available elements can be used as material to make new collages. For this reason, many artists scour the internet’s servers for raw material to integrate
  • Konrad Zuse: enabler of computational arts?
    Andrés Burbano and Esteban García Bravo. Konrad Zuse: enabler of computational arts? Archiving and Questioning Immateriality , no. 190 (2016).
  • The interactive image: a media archaeology approach
    Esteban García Bravo and Angus G Forbes and Vetria L Byrd and Andrés Burbano. The interactive image: a media archaeology approach Leonardo 4, no. 50 (AUGUST 2017): 368-375.
  • Paragens
    Herkenhoff, Paulo Estellita. Paragens In XXI. Bienal Internacional de Sao Paulo. Exposicao Coletiva de Diana Domingues, edited by Jorge Eduardo Stockler, 207. : Fundacao Bienal de Sao Paulo, 1991.
  • DEAF 04: Affective Turbulence -
    ... (NL) which showcases crossovers between art, technology and...
  • Aktionsforum Praterinsel
  • Walker Art Center
  • Differenza ed estetica digitale: il glitch -
    Differenza ed estetica digitale: il glitchArtist: Francesco AprileComment:
  • medi@terra 2006 -
    ... of creation with multiple possibilities for artists. And while...
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