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  • The Telematic Moment
    Ascott, Roy. The Telematic Moment L´Estetica della Comunicazione (1987): 81-84.
  • Estética de la Tecnoética: El arte y la construcción de la realidad
    Ascott, Roy. Estética de la Tecnoética: El arte y la construcción de la realidad In Arte Virtual Realidad Plural., edited by Karin Ohlenschläger, 33-44. Monterrey, Mexiko: Museo de Monterrey, 1997.
  • Le moment télématique
    Ascott, R.. Le moment télématique In L'estetica della communicazione, edited by M. Costa, 81-84. : Palladio Editrice, 1987.
  • Dennis del Favero: Deep Sleep -
    Deep Sleep moves backwards and forwards in time between a notorious Sydney psychiatric institution of the 1970's where patients were subjected to "deep sleep" therapy, and the Chelmsford Royal Commission, established in the 1990's to
  • Japan Media Arts Festival 2003
    February: 6th Japan Media Arts Festival Exhibition of Award-winning Works Dates: February 27–March 9, 2003 Venue: Tokyo Metropolitan Museum of Photography (Ebisu, Tokyo) Entries: 1,375 works (including 138 from overseas) Visitors: 16,060 people
  • Differenza ed estetica digitale: il glitch
    Aprile Francesco. Differenza ed estetica digitale: il glitch. Vol.september 2016. Utsanga.it th ed.Italy: Utsanga.it, 2016.
  • Estética digital: sintopia del arte, la ciencia y la tecnología
    Giannetti, Claudia. Estética digital: sintopia del arte, la ciencia y la tecnología. Barcelona, Spain: L´Angelot, 2002.
  • Arte y robótica. La tecnología como experimentación estética
    Iglesias, Ricardo. Arte y robótica. La tecnología como experimentación estética. ISBN: 978-84-15715-74-0. th ed.Madrid: Casimiro, 2016.
  • Kwangju Biennale 2004 -
    "The Gwangju Biennale 2004 is a cultural forum that experiments with established cultural practices that are centered around the art specialist and cultural power, specifically, artist and curator. To subvert the existing hierarchy, we deploy new
  • European Media Art Festival 2010: Mash Up
    The range of images, films, music and texts on the internet is growing rapidly. All digitally available elements can be used as material to make new collages. For this reason, many artists scour the internet’s servers for raw material to integrate
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