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VERBARIUM interactive website
1999
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1999
1999 Fondation Cartier pour l'art contemporain Website: http://www.fondation.cartier.fr/verbarium.html (Verbarium is unfortunately offline at the moment due to a service provider change) - Paris, France
ÄSTHETIK DER VERÄNDERUNG. 150 Jahre Universität für angewandte Kunst Wien
2017
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2017
[English title, "Aesthetics of Change- 150 Years of the University of Applied Arts Vienna"]
AUDIOVISUAL POEM
2014
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2021
AUDIOVISUAL POEM is a quadrophonic electroacoustic composition which has a fixed structure, but for which nevertheless some events can be changed in real-time, allowing for diverse possibilities through the performance. This changes are not casual
Networked interventions: debugging the electronic frontier
2002
... edited by Amy Bing
ama
n and Lise Sanders and...
51st International Short Film Festival Oberhausen
2005
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2005
"I smoked my first cigarette here. For years, I saw every single film at the Westdeutsche Kurzfilmtage, looking forward to those days in Oberhausen every year . These events were important for me, for my decision to become a filmmaker." Wim Wenders
Medi@terra 2000
2000
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2000
Neo[techno]logisms The neologism NEOTECHNOLOGISM, for Medi@terra 2000, is a starting-point for a series of activities which aspire to escape from the meanings which define them, in search for a new identity. This is not a festival (ceci n'est
Eternal Return N°1
2012
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2012
video
How can Nietzsche’s fear of the Eternal Return made comprehensible, even if it may fallen victim to wrong interpretation? Elke Reinhuber's approach to explicate this problem is a vinyl record of an endlessly reiterating sound, which emphasises the
Cadence
2022
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2023
Animated film poem created with a constellation of common wayside flowers, gathered during walks on land reclaimed from the sea along the shore of the Laira estuary, on the coast of SW Britain, an endangered habitat now threatened by coastal erosion
On the Road
2013
“On the Road”, consists of twelve lenticular panels that explore the cinematic narrative potential of the photographic image in non-electronic form. The exhibition’s title “On The Road” makes reference to the defining work of the Beat Generation’s
Refraction
2010
"Refraction" explores the cinematic narrative of the photographic image in a non-electronic form, the lenticular medium, a process in which two or more images can be seen sequentially simply through the changing of the observer’s viewing
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