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  • Marazzi, Antonio. Antropologia della visione. Roma, IT: Carocci, 2002.
  • Jeffrey SHAW has been a pioneer and leading figure in new media art since its emergence. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments, aiming to change the
  • Weibel, Peter. Visionen der Mediengesellschaft In Konzert. Klangkunst. Computer. Wandel der musikalischen Wirklichkeit, edited by Darmstadt Institut für Neue Musik und Musikerziehung, 9-17. Mainz, DE: Schott Music, 2002.
  • Deepwell, Katy. Reverie, Osmose and Ephémère: Dr. Carol Gigliotti interviews Char Davies n.paradoxa, international feminist art journal 9 (2002): 64-73.
  • Billinghurst, Mark. Collaborative Augmented Reality Communcations of the ACM - How the Virtual Inspires the Real 45 (July 2002): 64-70.
  • Weibel, Peter, ed. Olafur Eliasson: Surroundings Surrounded - Essays on Space and Science. Cambridge, MA: The MIT Press, 2002.
  • Rejane Spitz is an Associate Professor and the Head of the Department of Art & Design at PUC-Rio University, Brazil. She was a Post-Doctoral researcher at CADRE-Laboratory for New Media /San Jose State University (California, USA) in 2003, and a
  • Jennifer Willet is a biomedia artist and professor with a strong focus on laboratory aesthetics and participatory practices methodologies. Currently, she is Director of Incubator Lab at the University of Windsor in Canada. Her work resides at the
  • Ascott, Roy. Behaviourist Art and the Cybernetic Vision In Multimedia. From Wagner to Virtual Reality, edited by Randall Packer and Ken Jordan, 104-120. New York, London: W. W. Norton and Company, 2002.
  • Benayoun, Maurice. On Line, Life Line, Art Shifts e-what, Conquest of Time (April 2002).