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Perceptual Correspondences of Abstract Animation and Synthetic Sound
1988
Abbado, Adriano. Perceptual Correspondences of Abstract Animation and Synthetic Sound (1988).
SoundCloud Gazing
2022
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2022
Event: SoundCloud GazingInstitution: /rosa (Zentrum für Netzkunst, Panke Gallery)Comment:
SoundCulture 96
1996
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1996
Event: SoundCulture 96Institution: San Francisco Art InstituteComment:
HINEIN (inwards)
2016
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2016
HINEIN (inwards) is an invitation to travel inside the world of natural microstructures, combining subtle sounds and extreme close-up images of diverse natural surfaces whose microdimensions are not perceived in our daily life. Both visual and
Enactive soundscapes: towards a naturalized aesthetic
2013
OLIVEIRA, André Luiz Gonçalves de and Diana Domingues. Enactive soundscapes: towards a naturalized aesthetic Phd Thesis, UnB, Brasilia, 2013.
Soundwaves
2007
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2007
Event: SoundwavesInstitution: Ars Electronica Linz GmbH & Co KGComment:
Sweet´N`Sour
1993
Willis, Holly. Sweet´N`Sour Afterimage 20, no. 10 (May 1993).
Interactive Cyber Cravat
1995
An interactive graphic installation through which the user can create and produce, in real time, his own personalized cyber cravat. The installation can be connected to a network. (source: https://www.evl.uic.edu/franz/)
Bullet Proof Lingerie
1998
National Institute of Justice Level 3: magnum 9mm point blank range protective lingerie. (source: http://marnixdenijs.nl)
James Stuart
Stuart Jones is a Boston-based composer of concert hall chamber music. His music has recently been performed by the LUMEN Contemporary Music Ensemble, the New York New Music Ensemble and the Omega Ensemble, among other contemporary music groups. His
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