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Le Grande, Jean-Pierre. Char Davies: Osmose du virtuel au naturel Vie des Arts XXXIX, no. 160 (Fall 1995): 27-29.

Grau, Oliver. New Images from Life In Art Inquiry. Recherches sur les Arts, edited by Ryszard KluszinskyVol.II (XI). , 7-25. Lodz: Grotesk, 2001.

Grau, Oliver. Datenbank der Virtuellen Kunst In Electronic Imaging and the Visual Arts 2001, , 135-140. Berlin: 2001.

Penny, Simon. Electronic Arts Practice: Experiences in Australia and the USA Continuum - Electronic Arts in Australia 8, no. 1 (1994).

Yamaguchi Center for Arts and Media, ed. Gravicells - Gravity and Resistance. Yagamuchi, JP: Yagamuchi Center for Arts and Media, 2004.

Fleischmann, Monika and Wolfgang Strauss. Rigid Waves In Prix UNESCO ´93 for the Promotion of the Arts, Paris: 1993.

Sommerer, Christa. Collaboration between the Arts and the Sciences In Ars Electronica Center - Museum of the Future, , 120-125. Linz: Linz Landesverlag, 1996.

Seaman, Bill. The Emergence of New Electronic Forms in Australian Art Continuum "Electronic Arts in Australia" 8, no. 1 (1994): 352-363.

Weibel, Peter. Schnittflächen der Politik In digital arts edition 2. Dennis Del Favero: Cross Currents, edited by Nikos PapasterigiadisVol.2. ZKM Digital Arts Edition, , 6. Karlsruhe, Graz: Zentrum für Kunst und Medientechnologie and Neue Galerie,

Ascott, Roy. Cyborg est un verbe / Cyborg Is a Verb In International Directory of the Electronic Arts / Guide International des Arts Electroniques, edited by A. Bureaud, 8 -13. London: John Libby, 1995.