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  • "on the subject of sex..."
    Video, 4 min 13 sec, color, sound An experimental documentary, part of the web project "Women of a Certain Age"
  • Audiovisual Materialism
    Zareei, Mo. Audiovisual Materialism Organised Sound 25, no. 3 (November 2020): 362-371.
  • CubeLife -
    A heartbeat-driven artwork generating sound and images from mathematical magic cubes
  • The Swift Erosion of a Crater through Human Intervention
    Performance, wall piece, 6 b&w inkjet prints, 27" LCD monitor, video loop, sound, dimensions variable. On life and mortality
  • IGUAQUE -
    1998 05:30 min, color, stereo sound. The Muisca legend tells us that Bachué (Mother of humanity) came from the water, from a lagoon called Iguaque and after giving birth to humanity, she returned there. ... The reverie produced by water and the
  • Martin Kusch
    Martin Kusch is particularly interested in the influence of digital technologies on our way of thinking and on our perception of the body and space. Following his studies in art history, philosophy, and painting in Berlin and in media art with Peter
  • Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound
    Grau, Oliver and Andreas Keil, ed. Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound. Frankfurt/Main: Fischer Verlag, 2005.
  • Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions"
    Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
  • Uriel Orlow
    Orlow's work tackles the impossibility of narrating or representing the past and addresses the spatial conditions of history and memory. Spanning locations in Africa, the Arctic, Eastern Europe and Switzerland, his work can often be seen to employ a
  • Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance
    Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.
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