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Grau, Oliver. Der Digitale Bau. Aktuelle Tendenzen der Raumvisualisierung und ihre Vorläufer Thesis. Wissenschaftliche Zeitschrift der Bauhaus-Universität Weimar , no. 3 (2003): 112-121.

Paul, Christiane. CODeDOC II: curator's statement http://www.aec.at/CODeDOCII.

Feuerstein, Thomas. Pedigree http://www.annjakrautgasser.net/home.php?il=83&l=en [21.10.2014].

Paul, Christiane. Neural Networks vs. Computer-Networked Environments. Cognition and Communication in Digital Art http://www.artbrain.org/neural-networks-vs-computer-networked-environments-cognition-and-communication-in-digital-art/ [21.10.2014].

Huhtamo, Erkki. WEB STALKER SEEK AARON: Reflections on Digital Arts, Codes, and Coders In Ars Electronica 2003: Code – The Language of our Time, edited by Gerfried Stocker and Christiane Schöpf, 110-128. Ostfildern-Ruit: Hatje-Cantz, 2003.

Huhtamo, Erkki. Media Art in the Third Dimension: Stereoscopic Imaging and Contemporary Art In Future Cinema, edited by Jeffrey Shaw and Peter Weibel, 466-473. Cambridge, MA: MIT Press, 2003.

Bolter, Jay David and Diane Gromala. Windows and Mirrors: Interaction Design, Digital Art, and the Myth of Transparency. Cambridge, MA: MIT Press, 2003.

Kyong Chun, Wendy Hui. Human-Mediated-Communications In Reality/Simulacra/Artificial: Ontologies of Postmodernity, edited by Enrique LarrettaRio de Janeiro: Universidade Candido Mendes, 2003.

Albrecht, Silke, ed. Games. Frankfurt/Main: Revolver, 2003.

Neidich, Warren and Norman Bryson. Blow-Up: Photography, Cinema and the Brain. Riverside, CA: Distributed Art Publishing/ University of California, 2003.