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Feminist Climate Change
2017
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2017
Event: Feminist Climate ChangeInstitution: Ars Electronica Linz GmbH & Co KGComment:
Daniel Rozin
Daniel Rozin trained as an industrial and interactive designer. He creates interactive installations and sculptures that have the ability to change and respond to the presence of a viewer. Although computers are often used, they are seldom visible.
Lawrence Paul Yuxweluptun
Lawrence Paul Yuxweluptun, graduated from the Emily Carr School of Art and Design in 1983 with an honours degree in painting. Yuxweluptun's strategy is to document and promote change in contemporary Indigenous history in large-scale paintings, using
Re-Newing Old Technologies: Astonishment, Second Nature, and the Uncanny in Technology from the Previous Turn-of-the-Century
2003
Gunning, Tom. Re-Newing Old Technologies: Astonishment, Second Nature, and the Uncanny in Technology from the Previous Turn-of-the-Century In Rethinking Media Change The Aesthetics of Transition, edited by David Thorburn and Henry
Cultures of Change - Changing Cultures
2009
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2010
Event: Cultures of Change - Changing CulturesInstitution: Arts Santa MònicaComment:
VERBARIUM interactive website
1999
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1999
1999 Fondation Cartier pour l'art contemporain Website: http://www.fondation.cartier.fr/verbarium.html (Verbarium is unfortunately offline at the moment due to a service provider change) - Paris, France
ÄSTHETIK DER VERÄNDERUNG. 150 Jahre Universität für angewandte Kunst Wien
2017
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2017
[English title, "Aesthetics of Change- 150 Years of the University of Applied Arts Vienna"]
AUDIOVISUAL POEM
2014
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2021
AUDIOVISUAL POEM is a quadrophonic electroacoustic composition which has a fixed structure, but for which nevertheless some events can be changed in real-time, allowing for diverse possibilities through the performance. This changes are not casual
Networked interventions: debugging the electronic frontier
2002
... edited by Amy Bing
ama
n and Lise Sanders and...
51st International Short Film Festival Oberhausen
2005
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2005
"I smoked my first cigarette here. For years, I saw every single film at the Westdeutsche Kurzfilmtage, looking forward to those days in Oberhausen every year . These events were important for me, for my decision to become a filmmaker." Wim Wenders
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