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  • All Changes Saved -
    Tots els canvis s’han desat (All Changes Saved) Aram Bartholl, Clara Boj + Diego Díaz, Martin John Callanan, Olia Lialina, Kyle McDonald, Román Torre + Ángeles Angulo, Carlo Zanni Curated by Pau Waelder Casal Solleric, Palma (Spain) September 21,
  • Sensity -
    Sensity is part of "The Emergent City" series of works by Stanza. Artworks monitoring the real time interactive city using wireless sensors. If you are interested in exhibiting this artwork get in touch. I am available to visit your city to take
  • Tweak Exhibition
    Digital technology has become a medium that has redefined the arts broadening horizons and changing practices. The works in this exhibition explore interactivity and the possibilities opened up by multimedia and electronic technologies to create
  • EUROPEAN MEDIA ART PLATFORM (EMAP)
  • Revélate, la calle es el Museo
    Ágora Gestión Cultural, ed. Revélate, la calle es el Museo. Bogotá: Ágora Gestión Cultural, 2011.
  • Digital Body-Automata -
    Housed in a white, clinical environment, Digital Body- Automata is divided into three parts. These installations are called: A Figurative History (past mechanical transformation); Interskin (present digital transformation) and Immortal Duality
  • Quarxs - video
    Quarxs was one of the earliest computer animated series (3D Computer graphics, 12 films on total of three minutes each). Persiflage of science shows on TV, playful and fantastic exploration of digital graphics and questioning the order of things in
  • Petit Mal -
    Although much work has been done in the field of screen-based interactive art, the mode of interaction in these works is confined by the very existence of image material on a screen, the so called "graphical user interface". I am particularly
  • TransVersum video
    TransVersum is a dance video directed by Marikki Hakola. The video is based on the original choreography by Ismo-Pekka Heikinheimo called "Come Quickly for I´m Seeing Stars". The theme of TransVersum is seeking of the expressions of identity and
  • GLOBALE: Without Firm Ground – Vilém Flusser and the Arts -
    “Synthetic images as an answer to Auschwitz” (“We Shall Survive in the Memory of Others”)1 asserted Vilém Flusser (1920–1991) forcefully in an interview shortly before his death. Only by passing through radical abstraction could a new
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