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  • Hyperoptics
    video, 4.22' The video Hyperoptics examines the technologically extended forms of visual perception that are enabled through the application of advanced optical research tools used in microscopy. The first part of the video presents a series of
  • Golden Nuggets -
    Intervention At the bottom of the Silvretta reservoir dam unfolds a landscape that is touristically barely developed. Stones rupture the alpine turf. Some of these stones were gilded in the artist's studio, shown in exhibitions and later returned to
  • Carolina Montejo
    ... of real content, I have also started to incorporate literature, objects...
  • Patrick Moya
    Moya, the Artist living in his art work Performer, visual and digital artist, Patrick Moya make an art mediterranean, funny, baroque, generous and delightful. In Nice (big city near the sea), where he lives, he is the last part of the artistic
  • The Big Questions
    Benayoun, Maurice. The Big Questions .
  • Eight Questions (and Answers) about Machinima
    Nideffer, Robert. Eight Questions (and Answers) about Machinima Journal of Visual Culture 10, no. 1 (April 2011): 66-73.
  • Mirrors of the Unseen (MotU) #7, #8 -
    Light object Series 'Mirrors of the Unseen (MotU)' 'MotU #7' and 'MotU #8', from the series 'Mirrors of the Unseen', feature words and symbols that seem to float in the space like holograms, which observers can only perceive as afterimages using
  • The Questions: Jodi
    Jacob Lillemose. The Questions: Jodi http://www.kunstkritikk.no/nyheter/modified-software/ [Kunstkritikk, June 2015].
  • Laboratory Life
    Laboratory Life (For Oryx and Crake) is a series of over-layered photographs taken at scientific laboratories in Europe ( the European Molecular Biology Laboratory (EMBL) in Rome, the Max Planck Institute in Dresden, and a biophysics lab at Imperial
  • Mirrors of the Unseen -
    Site specific ceiling drawing Regional hospital Hohenems (A), competition The work 'Mirrors of the Unseen' for the regional hospital Hohenems deals with technically generated images, with questions of translatability and the interpretation of
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