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  • Changing Space: Virtual Reality as an Arena of Being
    ...Davies, Char. Changing Space: Virtual Reality as an Arena of Being In The Virtual Dimension: Architecture, Representation, and Crash Culture, edited by John Beckmann, 144-155. New York: Princeton Architectural Press, 1998.
  • Embodying Virtual Reality: Touch and Self-Movement in the Work of Char Davies
    ... Reality: Touch and Self-Movement in the Work of Char Davies Critical Matrix: The Princeton Journal of Women, Gender and Culture 12, no. 1-2 (2001): 112-147.
  • Culture, Technology and Creativity
    ...Biggs, Simon. Culture, Technology and Creativity http://littlepig.org.uk/texts/culturetechnologycreativity.htm.
  • David R. Burns
    ... of artistic expression. His creative work explores visual music, memory, and the relationships between technology, culture, and society. David holds a MFA in Design and Technology from Parsons School of Design in New York City. As an associate...
  • Richard Colson
    ... It Yourself Media from 2007-2010. He has presented his ideas and work at well known forums for debate on digital media and culture in the UK and abroad, including Tate Britain, the Kinetica Art Fair, ISEA (Japan), the New York Digital Salon, Arte Forum in...
  • Integrating Media Art into Our Culture - Art History as Image Science
    ...Grau, Oliver. Integrating Media Art into Our Culture - Art History as Image Science Fu-Jen Historical Journal (2006): 553 - 570.
  • Integrating Media Art into Our Culture - Art History as Image Science
    ...Grau, Oliver. Integrating Media Art into Our Culture - Art History as Image Science a minima 13 (2005): 114-123.
  • Hong Kong, and other Returns
    ...Pui, Susan. Hong Kong, and other Returns Journal of Visual Culture 6, no. 3 (2007): 330-332.
  • date | place
    ...Ikeda, Ryoji. date | place. Atelier de Création Radiophonique(ACR), France Culture: Èdition DIS VOIR, FR, 2010.
  • Cinemas of the Future
    ...Castelli, Richard, ed. Cinemas of the Future. Lille: Lille 2004: European Capital of Culture, 2004.
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