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  • Pierre Jolivet
    Pierre Jolivet originally from Paris, is an artist who's currently based in Dublin, Ireland. Pierre started in the early eighties, as a French pioneer under the moniker of Pacific 231, in the industrial and power electronics musical fields before
  • Rudi Knoops
    Rudi Knoops is a PhD researcher at KU Leuven / LUCA School of Arts and is affiliated with the Inter-Actions research group at the Media, Arts and Design faculty (MAD-faculty) in Genk, Belgium. His practice-based PhD in audiovisual arts – for which
  • LAb[au]
    LAb|au| developed a transdisciplinary and collaborative approach based on different artistic, scientific and theoretic methods, examining the transformation of architecture and spatio-temporal structures in accordance to the technological progress
  • The Digital Outbreak: the End of the End of Art
    Event: The Digital Outbreak: the End of the End of ArtInstitution: The International Conference on Digital Culture & AudioVisual ChallengesComment:
  • Seed/Tree interactive audiovisual installation. (Kubus) -
    Event: Seed/Tree interactive audiovisual installation. (Kubus)Institution: ZKM - Center for Art and MediaComment:
  • Audiovisual Concert -
    Event: Audiovisual ConcertInstitution: Siggraph ASIAComment:
  • At Play video
    Responsive audiovisual installation where visitors playfully stack, as if pieces of a giant interactive puzzle, plastic bins that act as symbols of containers transiting world markets. Video-mapping projections react to the new sculptural
  • Néstor Lizalde
    ... and narrative devices that enable building...
  • (collective) Mansoux / Valk
    Aymeric Mansoux has taken part in many artistic experiments based on the internet and the emergence of networks, and considers any form of data to be a new clay that can be used to develop autonomous artistic processes. His most recent projects
  • At Play video
    Responsive audiovisual installation where visitors playfully stack, as if pieces of a giant interactive puzzle, plastic bins that act as symbols of containers transiting world markets. Video-mapping projections react to the new sculptural
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