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  • Der Computer als Medium und als Maschine
    Esposito, Elena. Der Computer als Medium und als Maschine Zeitschrift für Soziologie 22, no. 5 (Oktober 1993): 338-354.
  • Illusion und Virtualität: Kommunikative Veränderungen der Fiktion
    Esposito, Elena. Illusion und Virtualität: Kommunikative Veränderungen der Fiktion In Soziologie und künstliche Intelligenz: Produkte und Probleme einer Hochtechnologie, edited by Werner RammertFrankfurt/Main: Campus Verlag, 1995.
  • SP001
    http://www.leonelmoura.com/wp-content/uploads/2019/12/Swarm_Paintings.pdf
  • Last Entry: Bombay, 1st of July -
    "Last Entry: Bombay, 1st of July" is a collaborative documentary about a person, identity and gender unknown - a flaneur in the cultural space of the internet. Inspired by the novel "Orlando", written by Virginia Woolf in 1928, that reads like a
  • Zoran Poposki
    My work is transdisciplinary and explores cultural translation, liminality, identity, and public space through a number of media, combining digital art including AI art and NFT art with video art, painting, drawing, photography, printmaking,
  • Adventures in Phy-gital Space -
    Keynote lecture at the 11th International Conference on New Interfaces for Musical Expression. 30 May - 1 June 2011, Oslo, Norway.
  • Michael Najjar plans Virgin Galactic Space Travel
    Interview.
  • D-G Cabine -
    An interactive video game imprisons or ejects players or their avatars in a cabin conceived in collaboration with the designer Vincent Torjman. This piece, the high point of the exhibition “Instrument Flying Rules” lays down the physical limitations
  • Quiasma -
    A relational narrative map of the space allows us to model a space of data that is there as a network in the subsoil to be visually exposed by whoever interacts with the DVD. An open model for ideas, for the crossings of information, for the
  • Divisional Articulations
    Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, and spawn arrays of
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