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Telepräsenz: Eduardo Kac und Ken Goldberg
2000
Dreher, Thomas. Telepräsenz: Eduardo Kac und Ken Goldberg IASL online Internationales Archiv für die Sozialgeschichte der deutschen Literatur (April 4th 2000).
Medien und Realität: Landkarte und Land. Von der medialen Konstruktion der Wirklichkeit
2000
Weibel, Peter. Medien und Realität: Landkarte und Land. Von der medialen Konstruktion der Wirklichkeit In Festschrift für die Wirklichkeit, edited by Guido Zurstiege, 193-196. Wiesbaden, DE: VS Verlag für Sozialwissenschaften, 2000.
Der Computer als Medium und als Maschine
1993
Esposito, Elena. Der Computer als Medium und als Maschine Zeitschrift für Soziologie 22, no. 5 (Oktober 1993): 338-354.
Illusion und Virtualität: Kommunikative Veränderungen der Fiktion
1995
Esposito, Elena. Illusion und Virtualität: Kommunikative Veränderungen der Fiktion In Soziologie und künstliche Intelligenz: Produkte und Probleme einer Hochtechnologie, edited by Werner RammertFrankfurt/Main: Campus Verlag, 1995.
SP001
2002
http://www.leonelmoura.com/wp-content/uploads/2019/12/Swarm_Paintings.pdf
Last Entry: Bombay, 1st of July
1997
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1998
"Last Entry: Bombay, 1st of July" is a collaborative documentary about a person, identity and gender unknown - a flaneur in the cultural space of the internet. Inspired by the novel "Orlando", written by Virginia Woolf in 1928, that reads like a
Zoran Poposki
My work is transdisciplinary and explores cultural translation, liminality, identity, and public space through a number of media, combining digital art including AI art and NFT art with video art, painting, drawing, photography, printmaking,
Adventures in Phy-gital Space
2011
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2011
Keynote lecture at the 11th International Conference on New Interfaces for Musical Expression. 30 May - 1 June 2011, Oslo, Norway.
Michael Najjar plans Virgin Galactic Space Travel
2012
Interview.
D-G Cabine
2003
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2004
An interactive video game imprisons or ejects players or their avatars in a cabin conceived in collaboration with the designer Vincent Torjman. This piece, the high point of the exhibition “Instrument Flying Rules” lays down the physical limitations
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