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  • Courchesne, Luc. The Construction of Experience. Turning Spectators into Visitors In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea ZappLondon, Karlsruhe: BFI London and ZKM Karlsruhe, 2002.
  • Known for her theories on playculture, activist design, and critical play, Mary Flanagan has achieved international acclaim for her novel interdisciplinary work, her commitment to both theory and practice, and her ongoing pioneering contributions to
  • Alexander Hahn (b. 1954, Rapperswil, Switzerland) has worked in the analog and digital media arts since 1977, integrating the time-based forms of video with practices of installation, computer imagery, print, animation, virtual reality and writing.
  • Shaw, Jeffrey. Movies after Film - The Digitally Expanded Cinema In New Screen Media. Cinema/Art/Narrative, edited by Martin Rieser and Andrea Zapp, 268-275. London, UK: ZKM Karlsruhe and BFI London, 2002.
  • Beloff, Zoe. An Ersatz of Life In New Screen Media: Cinema/Art/Narrative, edited by Rieser Martin and Andrea ZappLondon: BFI London and ZKM Karlsruhe, 2002.
  • Duguet, Anne-Marie. Déjouer L´image: Creations elecroniques et numériques. Paris: Jaqueline Chambon, 2002.
  • Perry Hoberman is an installation and media artist who works with a wide variety of materials and technologies, ranging from the utterly obsolete to the state-of-the-art, from low-tech to high-tech and nearly everything in between. His work has
  • 1960 - born in town Yaroslavl, Russia; 1984 - graduated from the Moscow Power Engineering Institute; - an artist, poet, author of many art-projects; - an inspirator and organiser of various communication creative societies (KEPNOS,
  • Lia
    Lia is an Austrian artist and one of the early pioneers of software and net art. Since 1995, she has been creating digital art, installations and sound works. Her work plays with the aesthetic of digital images and algorithms, and her output
  • Beloff, Zoe. Deux femmes visionaries Trafic, revue de cinéma 44 (Winter 2002).