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ISEA 2006 [
The
Thirteenth International Symposium on Electronic Art]
2006
-
2006
...
The
2006 edition of
the
internationally renowned ISEA Symposium will be held...
The
2006 edition of
the
internationally renowned ISEA Symposium will be held...
Whitney Biennial 2002 Net Art Selection
2002
-
2002
...
The
selection of Internet-based art for
the
2002 Biennial strives to give an...
The
selection of Internet-based art for
the
2002 Biennial strives to give an...
Stanza
... with over fifty exhibitions in
the
last five years including:- Venice... with over fifty exhibitions in
the
last five years including:- Venice...
Subtle Technologies 2012
2012
... 27) have each different related
the
mes: Friday May 25: Art,... 27) have each different related
the
mes: Friday May 25: Art,...
European Media Art Festival 2009:
The
Future Lasts Longer Than
The
Past
2009
...In 2009,
the
EMAF portrayed over 2000 years of media history with its large... In 2009,
the
EMAF portrayed over 2000 years of media history with its large...
Oi Futuro, Rio de Janeiro, Brazil, solo show curated by Christiane Paul
2010
-
2010
... 2010). [Hullabaloo, Oblivion,
The
orem, Odissey] 2010). [Hullabaloo, Oblivion,
The
orem, Odissey]
Reencontres Internationelles Paris - Berlin - Madrid
1997
-
2010
...Since 1997,
the
Rencontres Internationales has existed as an interdisciplinary... Since 1997,
the
Rencontres Internationales has existed as an interdisciplinary...
The
Visitor: Living by Numbers
2001
-
2001
video
...d by Pier-Paolo Passolini's 1969 film
The
orema and by a dream... d by Pier-Paolo Passolini's 1969 film
The
orema and by a dream...
Decode: Digital Design Sensations
2009
-
2010
...ecode: Digital Design Sensations showcases
the
latest developments in digital and... ecode: Digital Design Sensations showcases
the
latest developments in digital and...
Metapaisajes. El paisaje a través del arte digital
2007
-
2008
...
The
landscape is not just
the
natural environment or its representation. It is in...
The
landscape is not just
the
natural environment or its representation. It is in...
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