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Traces: Wireless Full Body Tracking in the CAVE
1999
...Penny,
Sim
on and Jeffrey Smith and Andre Bernhardt. Traces:... Penny,
Sim
on and Jeffrey Smith and Andre Bernhardt. Traces:...
Agents as Artworks and Agent Design as Artistic Practice
1999
...Penny,
Sim
on. Agents as Artworks and Agent Design as Artistic... Penny,
Sim
on. Agents as Artworks and Agent Design as Artistic...
Death of the New (Venice Biennale 1984)
1984
...Penny,
Sim
on. Death of the New (Venice Biennale 1984) Artlink... Penny,
Sim
on. Death of the New (Venice Biennale 1984) Artlink...
Systems Aesthetics and Cyborg Art: The Legacy of Jack Burnham
1999
...Penny,
Sim
on. Systems Aesthetics and Cyborg Art: The Legacy... Penny,
Sim
on. Systems Aesthetics and Cyborg Art: The Legacy...
Performance Art, "What the..."
1986
...Penny,
Sim
on. Performance Art, "What the..." Performance... Penny,
Sim
on. Performance Art, "What the..." Performance...
Pittura Culta: Current Italian Neoclassicism
1985
...Penny,
Sim
on. Pittura Culta: Current Italian Neoclassicism... Penny,
Sim
on. Pittura Culta: Current Italian Neoclassicism...
Moores Law, Systems Theory and the Aesthetics of Interactive Art
1988
...Penny,
Sim
on. Moores Law, Systems Theory and the Aesthetics... Penny,
Sim
on. Moores Law, Systems Theory and the Aesthetics...
Sim
ulation: Digitization, Interaction: The Impact of Computing Arts
1987
...Penny,
Sim
on.
Sim
ulation: Digitization, Interaction: The... Penny,
Sim
on.
Sim
ulation: Digitization, Interaction: The...
John Heartfield, Where Are You When We Need You Most?
1998
...Penny,
Sim
on. John Heartfield, Where Are You When We Need You... Penny,
Sim
on. John Heartfield, Where Are You When We Need You...
Charlie Chaplin, Stelarc and the Future of Humanity
1989
...Penny,
Sim
on. Charlie Chaplin, Stelarc and the Future of... Penny,
Sim
on. Charlie Chaplin, Stelarc and the Future of...
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