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  • Robles, Claudia. Audiovisual: Perspectivas de una entidad indivisible. IDEAS SONICAS, CMMAS , no. 14 (2015): 19 -23..
  • Sanchez Cardona, LM. The Technological Epiphanies of Samuel Beckett: Machines of Inscription and Audiovisual Manipulation. Mexico: Futura/Fonca, 2016.
  • Robles, Claudia. Audiovisual PERSPECTIVES OF AN INDIVISIBLE ENTITY http://econtact.ca/15_4/roblesangel_audiovisual.html.
  • Max Hattler is an artist and academic who works with abstract animation, video installation and audiovisual performance. He holds a master's degree from the Royal College of Art and a Doctorate in Fine Art from the University of East London. His
  • Japan's leading electronic composer Ryoji Ikeda focuses on the minutiae of ultrasonics, frequencies and the essential characteristics of sound itself. His work exploits sound's physical property, its causality with human perception and mathematical
  • Tiia Johannson was a media artist, educator and researcher based in Tallinn, Estonia. Her background was in fine arts and moving image, since1990 she has mostly been working on numerous media art projects on video, multimedia and Information Society
  • Pierre Jolivet originally from Paris, is an artist who's currently based in Dublin, Ireland. Pierre started in the early eighties, as a French pioneer under the moniker of Pacific 231, in the industrial and power electronics musical fields before
  • Rudi Knoops is a PhD researcher at KU Leuven / LUCA School of Arts and is affiliated with the Inter-Actions research group at the Media, Arts and Design faculty (MAD-faculty) in Genk, Belgium. His practice-based PhD in audiovisual arts – for which
  • LAb|au| developed a transdisciplinary and collaborative approach based on different artistic, scientific and theoretic methods, examining the transformation of architecture and spatio-temporal structures in accordance to the technological progress
  • Robles, Claudia. Audiovisual PERSPECTIVES OF AN INDIVISIBLE ENTITY http://econtact.ca/15_4/roblesangel_audiovisual.html.