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Codes and algorithms.
2022
Can algorithms ensure greater neutrality and efficiency? Are they as free from human bias as we usually think? The exhibition ‘Codes and algorithms. Wisdom in a calculated world’ seeks to make sense of this phenomenon and it’s implications. n recent
Specious Dialogue (I, II, III)
2007
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2007
Specious Dialogue is a playful exploration of conversation. The work comprises two cubic sculptures mounted on casters, one black and one white, house battery-powered tiny cameras, as well as wireless recording and playback systems. These can be
Scavengers
2020
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2020
video
Scavengers ©2020, Laurent Mignonneau & Christa Sommerer developed for the TransArt Festival at Centro Trevi in Bolzano and supported by MEET Milano Beetles form a group with more than 350.000 known species. They come in many variations and forms and
Tell Me the Truth
1989
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1990
Archival Digital Print, Sizes: 8”x10” and 13”x19” Epson Pigment inks on cotton rag substrate or Light Jet digital photo prints. (plus custom sizes or NFT by special order) Date created: 1989 Acevedo's image called Tell Me the Truth had several
‘Digital Debris in Internet Art : A Metaphorical Resistance to The Epistemology of Search’
2014
Nils Jean. ‘Digital Debris in Internet Art : A Metaphorical Resistance to The Epistemology of Search’ Prova 2, Royal College of Art Humanities Research Forum Journal , no. 2 (2014): 22-25.
Digital debris for 'The Digital Unconscious'
2013
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2013
Event: Digital debris for 'The Digital Unconscious'Institution: The White Building Comment:
Plant Sensors
2002
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2003
Plants are very common in our world and and contain a vast amount of information. Although there are open debates about the intelligence of plants, it is undeniable that plants have a great ablity to sense and respond to their environment. The
France Cadet
France Cadet (Artist / Robotic Teacher), born in 1971, is a French Artist whose work raises questions about various aspects in science debates: danger of possible accidents, observation of animal and human behaviour, artificialisation of life, side
AL GRANO: Formas de pensar mundos
2014
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2014
AL GRANO: Formas de pensar Mundos, 2014, solo exhibition (images above and below) at the Centro de Museos de la Universidad de Caldas, commissioned by the Festival de la Imagen 2014, in Manizales, Colombia. A seed of transgenic corn represents an
‘Digital Debris’ paper conference for Archaeological Media and Technological Debris
2013
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2013
Event: ‘Digital Debris’ paper conference for Archaeological Media and Technological DebrisInstitution: Goldsmith, University of London, Dept. Computing Comment:
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