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  • Renderings of Digital Art Vectors: Digital Art of Our Time
    Paul, Christiane. Renderings of Digital Art Vectors: Digital Art of Our Time Leonardo 35, no. 5 (2002): 471-474 and 476-484.
  • Allison Kudla
    Allison Kudla was born in the second month of 1980, her mother a preschool teacher, her father a college professor. At an early age she became interested in colorful floating patterns she saw in her room at night when she tried to sleep. She often
  • High Tech artists Create Interactive Installation Addressing Poetics of Presence
    Savani, Jackie. High Tech artists Create Interactive Installation Addressing Poetics of Presence Engineering Today, UCSB Journal XXVIII (2002).
  • The Transgenic Art of Eduardo Kac
    Popper, Frank. The Transgenic Art of Eduardo Kac Artpress 276 (February 2002).
  • Criacao e interatividade na ciberarte
    Domingues, Diana. Criacao e interatividade na ciberarte. São Paulo, BR: Experimento, 2002.
  • Catherine Mason
    My particular expertise in the history of computer and digital art began in 2002 when I joined an AHRC-funded research group at Birkbeck College, University of London – The CACHe Project (Computer Arts, Contexts, Histories, etc), which investigated
  • Marta de Menezes
    "Marta de Menezes is a Portuguese artist (b. Lisbon, 1975) with a degree in Fine Arts by the University in Lisbon, a MSt in History of Art and Visual Culture by the University of Oxford, and a PhD candidate at the University of Leiden. She has
  • So.So.So. Somebody, Somewhere, Sometime
    Benayoun, Maurice. So.So.So. Somebody, Somewhere, Sometime In Future Cinema, edited by Jeffrey Shaw und Peter Weibel: MIT Press, 2002.
  • Le mode selon Zoe
    Villette, Agnès. Le mode selon Zoe Bilbok: Magazine des errances contemporaines 17 (March 2002).
  • Interactive Art: Where Are We Now?
    Sommerer, Christa. Interactive Art: Where Are We Now? In CyberArts2002, Vol.Hatje Cantz Verlag. , 70-75. Ostfildern-Ruit: Hantje Cantz Verlag, 2002.
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