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Giuliano Lombardo

Giuliano Lombardo teaches Teoria della Percezione e Psicologia della Forma at the Florence Academy of Fine Arts. As an artist he has exhibited in museums, festivals and galleries, published music and sound pieces, composed music for theatrical
Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound 2005

Grau, Oliver and Andreas Keil, ed. Mediale Emotionen. Zur Lenkung von Gefühlen durch Bild und Sound. Frankfurt/Main: Fischer Verlag, 2005.
Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" 2009

Adam Basanta. Excerpts from "Text-based: Aesthetic Treatment of Sound Materials in Text-sound Compositions" inter/tidal: SFU Humanities Academic Journal (2009).
The Human Body as an Audiovisual Instrument. 2020

Robles-Angel, Claudia. The Human Body as an Audiovisual Instrument. Sound and Image Aesthetics and Practices. Andrew Hill editor, Routledge. ISBN 9780367271466. 1st (2020): chapter 21.
MIXING IT UP! 2004 - 2004

A symposium about responsive environments and new technologies being explored by contemporary sound and visual artists.
Radius 2010

Commissioned by Candy & Candy for Home House, London / UK ‘Radius’ is a sound-reactive media installation that plays with the light emitted by spatial arrays of light sources. Where a commonly flat arrangement of LEDs would be conceived as a
Ars Electronica 1987: Free Sound 1987 - 1987

Event: Ars Electronica 1987: Free SoundInstitution: Ars Electronica Linz GmbH & Co KGComment:
Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance 2010

Basanta, Adam. Embodied Sound, Enacted Music: Considerations for the Re-conceptualization of Composition, Analysis and Performance In Ncounters, Graduate Music Students Association Conference, University of Alberta: 2010.
Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art 2009

Basanta, Adam. Potentialities of Meaning: a performance study perspective investigation into the relationship between the composer, composition and audience in contemporary fixed medium sound art inter/tidal ii: SFU Humanities Student Union Academic
Prix Ars Electronica 2011 - 2011

Honorary Mention in the category Digital Music and Sound Art

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