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Li-chn Lin. Li-chn Lin, “ Tao and Tech—Reflection on Viewing Lin Pey Chwen’s Exhibition” “ Tao and Tech—Reflection on Viewing Lin Pey Chwen’s Exhibition” (2004).

Ming Turner. Ming Turner, “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11” “Quasi-skin and Post-religion: Lin Pey Chwen’s Eve Clone series, 2010-11” (2010).

Susana Pérez Tort. Susana Pérez Tort, “Pey Chwen Lin—The Portrait of Eve Clone” “Pey Chwen Lin—The Portrait of Eve Clone” (2010).

Chieh-Hsiang Wu. Chieh-Hsiang Wu, “The Transgressions of Aesthetics: Lin Pey Chwen Eve Clone Series” “The Transgressions of Aesthetics: Lin Pey Chwen Eve Clone Series” (2011).

Jane Tseng. Jane Tseng, “The Birth of Eve Clone – Technological Satire of a Genetic Reproduction Laboratory” “The Birth of Eve Clone – Technological Satire of a Genetic Reproduction Laboratory” (1999).

Antoanetta Ivanova. Antoanetta Ivanova, “Alien Beauties: the haunting world of Pey Chwen Lin’s Eve-Clones” “Alien Beauties: the haunting world of Pey Chwen Lin’s Eve-Clones” (2000).

Susana Pérez Tort. Susana Pérez Tort, “Multimedia Semiotics of two works of art” “Multimedia Semiotics of two works of art” (2010).

Susana Pérez Tort. Susana Pérez Tort, “Semiótica de dos obras Multimediales” “Semiótica de dos obras Multimediales” (2010).

Pierre Martin. Pierre Martin, “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” “Lin Pey Chwen Installation Catching at MOCA Taipei: an Installation wortg experiencing” (2011).

Luchia Meihua Lee and Ken Howell. Luchia Meihua Lee and Ken Howell, “A Clarifying Aspect of the Recreation of Nature: Sence of Peychwen’s Artificial Nature” “A Clarifying Aspect of the Recreation of Nature: Sence of Peychwen’s Artificial Nature” ...