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Sound Symposium - International festival of new music and art - St John's (Canada)
2012
Event: Sound Symposium - International festival of new music and art - St John's (Canada)Institution: Ars Electronica Linz GmbH & Co KGComment:
Alejandro Quiñones
Born in 1996 in Bogotá, Colombia. Currently studying Interface cultures master at the University of Art and Design Linz, Austria. He holds a bachelor’s degree in fine arts at the National University in Bogotá, Colombia. His work includes interface
Perceptual Correspondences of Abstract Animation and Synthetic Sound
1988
Abbado, Adriano. Perceptual Correspondences of Abstract Animation and Synthetic Sound (1988).
SoundCloud Gazing
2022
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2022
Event: SoundCloud GazingInstitution: /rosa (Zentrum für Netzkunst, Panke Gallery)Comment:
Cathartic User Interface (CUI)
1995
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2000
Cathartic User Interface 1.0 and 2.0 (CUI) are interactive, multi-participant installations that allow users to quickly and effectively work through their conflicting emotions concerning the benevolent yet pernicious influences of computer
The Brain As A Reintrpretation Device
2015
Pearlman,Ellen. The Brain As A Reintrpretation Device Sounds, Image, Data-NYU Steinhardt/Goldsmiths/Leonardo (July 2015).
Invisible Sounds, Netherlands Media Art Institut, Amsterdam, Holland, curator Annet Dekker
2007
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2007
Event: Invisible Sounds, Netherlands Media Art Institut, Amsterdam, Holland, curator Annet Dekker Institution: Netherlands Media Art Institute NIMKComment:
Excavated Sounds: Paul DeMarinis
2000
Event: Excavated Sounds: Paul DeMarinisInstitution: Otso GalleryComment:
Second Promenade
1998
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1999
Boissiers Installation "Second Promenade" is based on different meshed media: images, sounds, music, videos and a computerbased text. This hypertext is in a close relationship to the original of Rousseaus Second Promenade and can be read variably by
HINEIN (inwards)
2016
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2016
HINEIN (inwards) is an invitation to travel inside the world of natural microstructures, combining subtle sounds and extreme close-up images of diverse natural surfaces whose microdimensions are not perceived in our daily life. Both visual and
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