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  • Cinema-Transcode - video
    Device built to explore film materials originally conceived as linear analog forms that once beeing digitized become susceptible to manipulation through the programming process. This is a machine that allows the user, through interaction with a
  • EDEN Echigo-Tsumari -
    As we know, all vegetal species can communicate with its environment. Instead of words they use different kinds of molecular emission. The communication can be established between trees of the same species, but it can also be addressed to a
  • John-Robin Bold
    Hi, thanks for your interest in my work. I'm both a composer of experimental music and an internet artist. Please find below a list of my website-specific activities. For access to my musical works on Mille Plateaux, mappa etc. please visit my
  • Duende Diagram -
    A cartographic map of the different flows that constitute my theories of a becoming cultured brain. More specifically how noise and improvisation through their bringing about difference and variation in the cultural landscape producing other neural
  • Suspensions of Perception: Attention, Spectacle, and Modern Culture
    Crary, Jonathan. Suspensions of Perception: Attention, Spectacle, and Modern Culture. Cambridge, MASS: MIT Press, 1999.
  • Illusions in Motion. Media Archaeology of the Moving Panorama and Related Spectacles
    Huhtamo, Erkki. Illusions in Motion. Media Archaeology of the Moving Panorama and Related Spectacles. Cambridge, MA: MIT Press, 2013.
  • Intimate Perceptions -
    Intimate Perceptions was part of Digitized Bodies - Virtual Spectacles
  • Barents Spectakel -
    Event: Barents SpectakelInstitution: Pikene pa BroenComment:
  • Armin Linke, The Appearance of That Which Cannot be Seen
    Ziegler, Philipp and Andreas Beitin and Bader Joerg, ed. Armin Linke, The Appearance of That Which Cannot be Seen. Leipzig: Spector Books, 2017.
  • The Digital Computer as a Creative Medium
    Noll, A. Michael. The Digital Computer as a Creative Medium IEEE Spectrum IV, no. 10 (October 1967): 89-95.
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