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Supermassive 1999 - 2017 video

Real time manipulation in virtual spaces.
Immersion and Interaction. From circular frescoes to interactive image spaces”. 2001

Grau, Oliver. Immersion and Interaction. From circular frescoes to interactive image spaces”. [].
Constanze Ruhm

Filmmaker, visual artist and curator, working with video, photography, installation and commissions for public spaces. Her work focuses on the relation of cinema and New Media with an emphasis on notions of identity, representation and (feminist)
Mahsa Jenabi

(*1982 in Teheran, Iran) is a Ph.D. student at the DFG graduate program »Explorative Analysis and Visualization of Large Information Spaces« and a member of the Human-Computer Interaction Group at the University of Konstanz. Her research focuses on
Networked Narrative Environments as Imaginary Spaces of Being 2004

Zapp, Andrea. Networked Narrative Environments as Imaginary Spaces of Being. Manchester, Liverpool: Manchester Metropolitan University and Foundation for Art and Creative Technology, FACT, 2004.
Envisioning Cyberspace: Designing 3D Electronic Spaces 1998

Anders, Peter. Envisioning Cyberspace: Designing 3D Electronic Spaces. New York: McGraw-Hill, 1998.
The Actual and the Imagined 2004

Collins, Susan. The Actual and the Imagined In Networked Narrative Environments as Imaginary Spaces of Being, edited by Andrea ZappManchester: Cornerhouse Publications, 2004.
Toni Dove´s Artificial Changelings: Collapsing Time and Feeling e/Motional Spaces 2003

Tait, Peta. Toni Dove´s Artificial Changelings: Collapsing Time and Feeling e/Motional Spaces Double Dialogues 4 (Winter 2003).
The Recombinant Reality - Immersion and Interactive Image Spaces 2008

Grau, Oliver. The Recombinant Reality - Immersion and Interactive Image Spaces In Synthetic Times, edited by Fan Di'an and Zhang Ga, 72 -93. Cambridge, MA: The MIT Press, 2008.
Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials 2014

Thiel, Tamiko. Critical Interventions into Canonical Spaces: Augmented Reality at the 2011 Venice and Istanbul Biennials In Augmented Reality Art: From an Emerging Technology to a Novel Creative Medium, edited by Vladimir Geroimenko, 31-60. Cham:

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