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Zeitblut (blood of time)
1972
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1979
Statement of the artist Peter Weibel: "I am holding a speech about the end of time. At the same time blood runs out of my arm into a glas canvas, which covers the whole tv-screen ( the camera is located behind the glas canvas and remains static).
Chaser
2007
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2007
Chaser transforms the top windows of the Tyne Bridge Tower in Gateshead into a rapidly moving light circuit of intense colour. Visible across the river Tyne in Newcastle, Gateshead and beyond, the animation will continually ‘chase’ around the
Tweetopia
2016
Tweetopia are data-scrolls, documenting the passing of time, through minute changes in a fixed structure, using data from the evolving DiGi-FLiP project @jtwinedotcom on the micro-blogging site Twitter over the course of three years from 2013 to
Olhos
1999
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2012
Olhos was an interactive digital internet-based artwork that was created by Beatriz Albuquerque in 1999-2003 (http://olhos.no.sapo.pt/). It was uploaded for the first time on the Internet on 2003 and was part of the Web biennial 2003 de Instanbul,
Schmutziges Licht (LICHTPHON Art-Avant X)
2018
Schmutziges Licht ( LICHTPHON ART-AVANT X ) Sound/Video Work Schahram Poursoudmand (Music & Sound Artist, Composer, Visual Imagist, Poet) & Yoann Trellu (Video & Visual Artist) An abstract, poetic visual-sound-drama The visual, tonal union and view
Transmission I
2020
(2020, 7” HD video brochure, video loop, sound, 8.26" x 5.82”) Captured while on transit to New York one year ago. I found myself next to a fellow traveler suffering from a severe cold. These days I would most likely start up and run, but at that
The Time Traveler
2017
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2018
The Time TravelerArtist: Lales PetrosComment:
Langgpath
2018
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2018
Kinetic sculpture that represents in real time the transfer of files from a database of moving bodies. Files of type BVH (biovision hierarchical files) are transferred between servers in the northern and southern hemispheres coinciding with the
Divisional Articulations
2017
Repetition and distortion drive this audiovisual collaboration between composer Lux Prima and visual artist Max Hattler, where fuzzy analogue music and geometric digital animation collide in an electronic feedback loop, and spawn arrays of
Sync
2010
A circular looping animation projection installation. "(...) the film is based on the idea that there is an underlying unchanging synchronisation at the centre of everything; a sync that was decided at the very beginning of time. Everything follows
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