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Bar Code Hotel 1994

Bar Code Hotel recycles the ubiquitous symbols found on every consumer product to create an multi-user interface to an unruly virtual environment. The installation makes use of a number of strategies to create a casual, social, multi-person
Deep Sleep (Slipstream Project II) 2004 - 2005

Deep Sleep moves backwards and forwards in time between a notorious Sydney psychiatric institution of the 1970's where patients were subjected to "deep sleep" therapy, and the Chelmsford Royal Commission, established in the 1990's to investigate the
Dislocative Sculpture 2011 video

In "Dislocative Sculptures," Goethe-Institut Second Life Artist in Residence Tamiko Thiel and the United|Dislokations|Kartell (U|D|K) used the unique physics of building in Second Life to create a sculpture that could exist nowhere else. Cyberspace:
B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en 2019

Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en. Esslingen: Edition Cantz,
B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en 2019

Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en. Esslingen: Edition Cantz,
B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en 2019

Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en. Vol.1. Esslingen: Edition
B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en 2019

Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en. Vol.1. Esslingen: Edition
B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg.https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en 2019

Wittwer, Samuel and Mark Gisbourne, ed. B.A.R.O.C.K. Artistic interventions in the Caputh Palace. Editor: Stiftung Preußische Schlösser und Gärten Berlin-Brandenburg. https://edition-cantz.com/produkt/b-a-r-o-c-k/?lang=en. Vol.1. -, - th
Interfaces 1990 - 1990

"Interfaces" was a live exchange conceived and organized by Eduardo Kac which took place on December 10, 1990, between a group of artists in Chicago and another group in the Center For Creative Inquiry, at the Carnegie-Mellon University, Pittsburgh.
House 2007 - 2007

“House” by Stanza, is a dynamic public sculpture viewable over the internet. House is not a mute memorial to a related past but a live embodiment of change and renewal. House describes the space, a real Victorian terraced house, in this case, that

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