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  • Gráfica después de la posmodernidad, ¿hacia una gráfica radicante?
    Alcalá Mellado, José Ramón. Gráfica después de la posmodernidad, ¿hacia una gráfica radicante? Estampa 11 , no. 5 and 6 (December 2013): 173-177.
  • kondition pluriel
    kondition pluriel is an interdisciplinary digital performance group founded by choreographer Marie-Claude Poulin and media artist Martin Kusch in 2000. Integrating body-based performance and digital arts, the artists generate a language outside of
  • Julian Oliver
    I am a New Zealander based in Berlin. I've been active in the critical intersection of art and technology since 1998. My projects and the occassional paper have been presented at many museums, international electronic-art events and conferences,
  • Glow Positioning System -
    There are many ways to "locate" a city, and oneself within it. One way is to distance oneself from it - to look it up in an atlas, a picture, or to go out to sea or up a hill to watch the twinkling lights, and point out the sights we know. Another
  • Utopia or Oblivion: The prospects for humanity
    Fuller, R. Buckminster. Utopia or Oblivion: The prospects for humanity. Los Angeles: The Estate of Buckminster Fuller, 1969.
  • The Fruit Machine -
    Event: The Fruit MachineInstitution: Mitsubishi Estate ArtiumComment:
  • Mitsubishi Estate Artium
  • Serial Parallels
    This experimental animation approaches Hong Kong’s built environment from the conceptual perspective of celluloid film, by applying the technique of film animation to the photographic image. The city’s signature architecture of horizon-eclipsing
  • Lin Pey-Chwen
    Lin Pey-Chwen was born in Ping-tong County, Taiwan in 1959. She received a Doctor of Creative Arts from the University of Wollongong, Australia in 1996. She was chairwoman of the Graduate School of Multimedia and Animation Arts, National Taiwan
  • El Tercer Umbral. Estatuto de las prácticas artísticas en la era del capitalismo cultural
    Brea, José Luis. El Tercer Umbral. Estatuto de las prácticas artísticas en la era del capitalismo cultural. Ad Hoc Ensayo, Murcia, Spain: CendeaC, 2004.
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