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Multiplicity
1996
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1996
These manually created photomontages were created as the basis for an op-art style silkscreen series and its further development as a kinetic object.
Actuaciones de Diseno Digital
2002
Vinas Limonchi, Manuel. Actuaciones de Diseno Digital. Madrid, ES: McGraw-Hill Interamericana, 2002.
Jeffrey Shaw
Jeffrey SHAW has been a pioneer and leading figure in new media art since its emergence. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments, aiming to change the
Tecnicas de Infografia: Variables creativas metodológicas en el desarrollo de la imagen digital
2001
Vinas Limonchi, Manuel. Tecnicas de Infografia: Variables creativas metodológicas en el desarrollo de la imagen digital. Madrid, ES: Editorial McGraw-Hill Interamericana de Espana, 2001.
Information Is Alive
2003
Brower, Joke and Arjen Mulder, ed. Information Is Alive. Rotterdam, NL: V2_Publishing, 2003.
El número y la mirada. Manuel Barbarillo y el Centro de Cálculo de la Universidad de Madrid.
2002
AAVV. El número y la mirada. Manuel Barbarillo y el Centro de Cálculo de la Universidad de Madrid.. Córdoba: Caja San Fernando Vimcorsa, 2002.
Suspension
1997
Contemporary spaces are dynamic combinations of the real and the virtual. They are accessed, ordered, and navigated under the conditions of various online and offline protocols. These protocols include computer formats and settings, social codes and
growth pattern
2010
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2010
allison kudla growth pattern, 2010 A light box array of Petri dishes containing agar, nutrients, hormones, die-cut leaves Production: LABoral Centro de Arte y Creación Industrial, Gijón Acknowledgements: Universidad de Washington, Seattle;
8520 S.W. 27th Place
2004
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2004
8520 S.W. 27th PL is an installation about the pointlessness of our never ending decision making process: choosing between left or right, brown shoes or black shoes, K-mart or Wal-mart. The exhibit features modified Dancing Hamster Toys, originally
Featured Artist Jeffrey Shaw
10/2015
.. In the context of the 1960’s paradigm of installation he started with expanded cinema, performance and participatory environments..
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